Posted on November 13th, 2012 by Ally Blumenfeld
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Dan Fenelon- photo credit: Ellen Denuto |
This Friday, a re-purposed firehouse in Orange, NJ will begin
its career as a gallery and artist loft.
I had the pleasure of talking with Dan Fenelon, the renowned artist whose
work will be featured in the inaugural exhibit at the new ValleyArts Firehouse
Gallery.
Fenelon's art will catch your eye, and you won't be able to
look away. At first glance, it's tribal
art. Then, wait – is that Krusty the
Clown? From murals to installation art,
each piece seems to come from the same explosive, vibrant, cartoon world where
colors never clash and where lines and patterns serve not as restraints but as
layers. Endlessly exciting and always
thoughtful, Fenelon's work has seen both coasts, been exhibited at numerous
galleries in his home state of New Jersey, and been displayed at museums, in
libraries, and on the sides of buildings. Fenelon was recently commissioned to
design the Peace Mural to welcome the Dalai Lama to the 2011 Newark Peace
Summit, and this winter the eyes of the nation will be on his artwork, as he
was chosen by Governor Chris Christie to design the Christmas ornaments for New
Jersey's Christmas Tree at the National Christmas Tree Display on the White
House Lawn.
I got to chat with Fenelon, where he shared a bit about his
experience working within communities to create public murals, his relationship
to the ValleyArts District, and why art programs and organizations are vital to
an artist's success.
AB: First, I'd like to ask you about your artwork in general. I'm sure you get these kinds of questions a
lot, so I'll simply ask: what do you want people to know about your art?
DF: I have a lot of influences in
my work. Some are serious and others are
playful and fun. I do appreciate humor
and satire. I am fascinated with the
spiritual and the tribal aspect of man and the psychology of modernism.
AB: What do you strive for your art to accomplish in the communities in which you work?
AB: What do you strive for your art to accomplish in the communities in which you work?
DF: I know that my work comes from
a core style and from that I am trying to branch out and challenge myself to
keep it interesting and vibrant. A lot
of the public projects I have been doing involve other people getting their
hands into it. Most of the time they are
not artists, but I have found a way to adapt my style to be accessible to their
skill sets. This has been very rewarding
to me and everyone involved. I want them
to have ownership in the work, especially because it will be seen in their own
community.
AB: What do you feel is the significance of artists making a name for themselves locally? How has this benefited you as an artist?
AB: What do you feel is the significance of artists making a name for themselves locally? How has this benefited you as an artist?
DF: I like being involved in my
local community and the support I get in New Jersey is overwhelming. I feel honored to be chosen for so many great
projects around the state. I think that
for different artists there are different approaches to take and it has been my
fortune to make my name locally.
AB: Your show is the inaugural event at the Firehouse Gallery in Orange. Could you tell us a bit about the space? How did you adapt your work to the space?
AB: Your show is the inaugural event at the Firehouse Gallery in Orange. Could you tell us a bit about the space? How did you adapt your work to the space?
DF: Richard Bryant approached me
about the show and I was already involved in creating an installation called
Insta-Freaking-Lation for Gallery Paquette in Boonton. Now I will repurpose the work to fit in the
Firehouse Gallery. There is one spot in
particular that caught my eye and will work as a centerpiece for the
exhibit. One large archway that is
sealed with plywood will be the place for a sight specific piece. That's all I am telling you!
AB: Why are you excited to bring your work to the ValleyArts District? What was it like to work with ValleyArts in the past?
AB: Why are you excited to bring your work to the ValleyArts District? What was it like to work with ValleyArts in the past?
DF: Valley Arts was the first place
to grant me a public mural. I have been
able to turn that opportunity into over 20 murals throughout NJ and
elsewhere. Every project I have worked
on for ValleyArts and H.A.N.D.S. has been a delightful experience. One of my favorite parts its the thanks I get
from local people as they pass by to admire the work.
AB: What do you feel is important about an organization like ValleyArts?
AB: What do you feel is important about an organization like ValleyArts?
DF: Without these think tanks for
creativity the world would be a dreary place.
Artists need to be around other artists in order to grow. We all need our communities and organizations
so society can flourish. During WWII
When Winston Churchill was told that parliament was cutting art programs he
responded by saying, “Good God, man, what do you think are we fighting for?”
'The Art of Dan Fenelon' can be seen at the ValleyArts
Firehouse Gallery November 16th-30th, located at 580
Forest Street in Orange, NJ. Free
admission.
Ally Blumenfeld is a working writer, dramaturg, and photographer based in Montclair, NJ. Two of her original one-act plays have been produced Off-Off-Broadway. She is currently the Gallery Coordinator for the ValleyArts Firehouse Gallery. Follow her on Twitter at @allyblume.
Ally Blumenfeld is a working writer, dramaturg, and photographer based in Montclair, NJ. Two of her original one-act plays have been produced Off-Off-Broadway. She is currently the Gallery Coordinator for the ValleyArts Firehouse Gallery. Follow her on Twitter at @allyblume.
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